Category Archives: Historical Fiction

Which characters – Who gave you inspiration?

Choosing the right characters for your novel is vital but how do we do it? I have already written about the joys and pitfalls of choosing a name on another blog but where do we begin choosing characters?

I must admit that my characters seem to creep up on me like new aquaintances many of whom, over subsequent months, become well loved friends.

Real or Imaginary

If real people inspire us, and I’m sure most of our heroes and heroines are based on a rainbow of many people we know all rolled into one, then like with familiar settings it makes it easier to:

  • Describe their personalities and looks
  • Imagine realistic conversations
  • Make the thread of our story believable
  • Fix the period and events, giving a web on which to base our tale if we include some real characters in historical fiction

Harriet in Riduna was inspired by my Great Grandmother. I had only met her twice; once when I was about three and I remember seeing an old lady in a rocking chair as I stepped down into a dark old New Forest farmhouse kitchen. On the second occasion she was in a nursing home. I have been told that she was quite a formidable woman and it was not these encounters which inspired me most, but my inquisitive mind as to what she had been like as a girl and how her nature had been moulded by her experience of being banished from the island of her birth.

If we choose real characters there can be disadvantages too:

  • Even if your novel or story is set in the past you are still in danger of upsetting someone, even if you claim that you are writing fiction -‘that didn’t happen.’ ‘He didn’t do that.’
  • In trying to weave real and imaginary characters within a story then ‘pure historians’ may be offended, claiming that we are trying to rewrite history
  • Obviously if your novel is set today or in recent years then even more care needs to be taken in including real people for obvious reasons. The law will be quick to step in if anything you have written is defamatory.

If you choose purely imaginary characters then:

  • You can let your imagination truly take over
  • You can bend their looks, trait and behavioural tendancies to suite the occasion, so long as you describe them well

The most important points to remember about the characters you choose is:

  • To be consistent
  • To keep a careful record of the description of each
  • To have a clear idea of relationships and how they connect with each other
  • To have a clear record of the order of events where each character appears
  • If your novel is many facetted it helps if there is a link through the threads, or that the connection with your main character is clear throughout the novel

The sequel to Riduna, which I hope to have in print shortly, has a mixture of real and imaginary characters, setting my novel in a particular place and time, though the real characters only appear fleetingly to add flavour and realism to historic events.

How do you choose your characters?

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Filed under Historical Fiction, Planning a novel, Research, Writing, Writing a novel

Researching for Historical Fiction- A personal journey

I’m still a bit in awe of other people’s blogs with 10 tips for …….. and you must remember these key points when you………I’m afraid I find the advice a bit daunting, although extremely useful. If you are not a full time author – do not despair. You will reap your rewards from your diligent planning, thorough research, social media networking on Facebook and Twitter and blogging. It’s just that it might take a little longer.  I hope that my down to earth blog will give encouragement for lesser mortals like myself who are learning along the way.

Researching for Historical Fiction, ‘Riduna’ and Beyond

I will not repeat my previous blog which goes into detail as to how and where I researched for ‘Riduna’ but I do want to explain briefly my journey of discovery on how to research effectively. I wrote Riduna in a bubble. I delved into books and archives, looked up some (but very little) information on the internet, visited museums and libraries but the majority of my research I carried out on my own. (This may have been a reflection of my state of mind at the time, or just inexperience or lack of confidence)

After several months I poured through my notes and using my research and my initial plan side by side, I formed an outline of the story. After less than a year I was writing the novel, but I came to a standstill every now and then when I realised that I had gaps in my knowledge and understanding. I found myself writing different parts of the book, leaving huge chunks waiting for further research, which often involved a trip down to the Southampton area, back to Alderney or over to Guernsey. In fact I wrote my chapters set in Guernsey at the very end (apart from the final chapter which I always leave til last) when I could plan my trip to over there. (see Researching for Riduna  )

On researching for my new novel, whose name I have finally decided upon and I will share with you shortly, my methods have been so different. Alongside all of the above I have more importantly engaged with people, asked questions, referred to them for advice and started up a dialogue which has become a reward in itself, as I have formed new friendships based on mutual respect. The added bonus to this is in opening up of numerous avenues for the promotion and marketing of the novel once it is published. (Keep positive here) Mind you, I will need to give away many more copies as a gift of thanks and my acknowledgements will be lengthy!

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Filed under Historical Fiction, Marketing your novel, Planning a novel, Research, Writing, Writing a novel