Category Archives: Writing a novel

‘The Last Word’ or ‘Oh dear, which word?’

As an English teacher I’m intrigued by the power of words and why, when proof reading, I change one for another or delete it altogether. Looking carefully at the words we use is only one small part of the proof reading process, but nevertheless it is a vital one if we want our writing to flow with ingenuity and succinctness and, more importantly, we hope that the story will read seamlessly.

Here are some of my word sins. Are they the same as yours?

1.       Repetition of a word

Repetition is the most obvious culprit. It creeps up on me unawares when I am writing, so much so that when proof reading I feel a painful ouch of embarrassment. How could I do that? I’ll give you an example from my recent reading.

Within a small stretch of conversation I had written the word ‘island’ four times. Oh dear! What to do? Changing three of these to ‘place’, ‘Riduna’ and ‘there’ suddenly and simply had the conversation flowing happily again.

2.       Repetition of a concept

I often find that I have repeated myself but with different vocabulary. Why, I do not know?

(Ha. I’ve even noticed it my sentence above – suddenly, simply and happily all in one breathe – back to the drawing board!)

Anyway, here is another example:

‘welcoming them home cheerily, with good humour’ I changed to ‘welcoming them cheerily’

3.        Adverbs

If in doubt leave it out!

I remembered being most indignant on the first writing course when I heard that I should to be selective with my use of adverbs and to try to leave them out altogether if I could. As a teacher I was dismayed by the quality of my student’s writing and had always encouraged them to use more adverbs and adjectives but I gradually realised that the majority were superfluous. Nevertheless old habits are hard to break and an example I reread this morning was:

‘He nodded his head silently.’ which became ‘He nodded.’ Why? Of course he was nodding his head and of course he was silent! I am stating the obvious twofold, but I still catch myself doing it.

4.     ‘To boldly go’

The age worn joke still sets me questioning. When I do decide to use the occasional adverb, especially in relation to time, where should I place it in a sentence. For example:

‘When he did finally wake up,’ becomes the more succinct, ‘Finally, when he woke up,’ …..

5.    Word fillers

I have to watch out for unnecessary words, big time. They slip in, leaving me unawares and, even when I think I’m proof reading for the final time, I find them lurking. Your list may be quite different to mine but these are a few I’ve noticed recently:

at all, just, then, specifically, actually, still, now, somewhat, really

‘he just glanced over his shoulder’           becomes             ‘he glanced over his shoulder’

6.       A ‘better word’ or choosing ‘apt vocabulary’

We’ve all reread sentences and puzzled long and hard over particular words and even turned to a Thesaurus in our despair. Occasionally we arrive at a solution which makes us buzz with excitement and at others we are just pleased with the improvement.

‘He was a little embarrassed at first,’   became ‘He reddened.’

7.       Finally – avoiding time worn phrases

It’s hard not to fall into the trap of using these, but it is whilst proof reading, when the story is already comfortingly recorded, that you can indulge in optimizing your creativity.

‘Come on Diana,’ a kindly friend rebuked on reading a chapter. ‘I like the story and look forward to reading the rest,’ (note the encouragement before the bombshell here, the method of a diplomatic and a successful critique) ‘Everyone’s boat’s bob. Can’t you think of anything more imaginative?’ I did of course.

 ‘Small boats mingled, chattering messages as they fidgeted against the glittering water.’

These are a few of my sins with words. What are yours?

© Diana Jackson April 9th 2011

6 Comments

Filed under Proof Reading, Writing, Writing a novel

The Many Layers of Proof Reading – A personal experience

I have learnt so much since my early years of writing a decade ago and something I’ve discovered quite by chance is that proof reading has many layers:

The writing in progress – layer of proof reading

At the end of every writing session I have tried to get into the habit of printing out a copy of the day’s writing. I leave this aside until my next ‘writing’ time and then I sit down and read it aloud. At first my husband thought I was forever talking to people on the phone and joked as to how little writing I must be achieving. As my characters took on voices of their own I can imagine it sounded just as if I was talking to someone. Most of the time I try to do this when he’s out, so that I can stretch out on the sofa in the lounge, but otherwise I have a small couch in the office and I close the office door. In this way I get rid of many glitches as I go along and it also settles me into a rhythm, ready to write again the following session.

The specialist chapters – layer of proof reading

With the nature of my current project I have the support of many experts in their own wide ranging fields from fishing to The Hampshire Regiment. As I prepare a section to be sent to be scrutinised I read it several times before I’m fully satisfied, often leaving it several days and rechecking before putting it  in the post or clicking the ‘send’ button.

The feedback can lead to mainly minor but occasionally major changes and then I need to scan the chapters once more.

The overview – layer of proof reading

I have to put my hand up here and admit the error of my ways. In my ignorance, and also because I was rarely free for a long enough period of time, I did not proof read ‘Riduna’ from cover to cover over a short period of time, before I had a request to send the full manuscript off to Pegasus Elliot Mc Kenzie. I can only thank them for their patience at that stage of the project, as they guided me though a proof reading process which sorted out any discrepancies in the story, as well as any errors I’d missed along the way.

This time I have carried out an overview proof read long before the novel is ready to be sent off.

The writing Buddy – layer of proof reading

How does your story read to someone else? Have you painted a picture of your characters or made the most of a dramatic, moving or humorous chapter? I get together with my writing partner about once every three weeks. We put the world to rights before talking about our writing, passing sections over for each other to read in the mean time. I find feedback of this nature as I am writing vital. It is wonderful to be spurred on by positive encouragement, but it is also excellent to discuss sections that do not scan so well or scenes which have not been set as effectively. A writing group would be equally beneficial and supportive in a similar way.

It’s all in the detail – layer of proof reading

Now, this is the layer that can be time consuming. I’ve heard it recommended that you do this by reading the sentences backwards, but that doesn’t work for me. There is also the common comment that an author reads what she/ he wants to read and not always what’s actually in print.  That’s certainly true. (I’ve found mistakes the following day on my blog when I’m sure that I have proof read it carefully before and after publishing) As you scrutinise the writing for errors in punctuation, spelling, grammar, repeated words and phrases, you mustn’t forget inconsistencies of formatting too, like an extra space or unnecessary line space.

It’s been said many times before, but it’s worth repeating that getting a friend whose knowledge of English you trust to check it at this stage is an excellent idea. Mind you, this is a totally different favour to ask than the friend who gives you piecemeal feedback on the content of the novel.

Well –so there you have it. Do any of you know of any other layers I’ve missed?

And remember the old adage – The mistakes are all mine and mine alone!

Leave a comment

Filed under Proof Reading, Research, Writing, Writing a novel

Researching for Historical Fiction- A personal journey

I’m still a bit in awe of other people’s blogs with 10 tips for …….. and you must remember these key points when you………I’m afraid I find the advice a bit daunting, although extremely useful. If you are not a full time author – do not despair. You will reap your rewards from your diligent planning, thorough research, social media networking on Facebook and Twitter and blogging. It’s just that it might take a little longer.  I hope that my down to earth blog will give encouragement for lesser mortals like myself who are learning along the way.

Researching for Historical Fiction, ‘Riduna’ and Beyond

I will not repeat my previous blog which goes into detail as to how and where I researched for ‘Riduna’ but I do want to explain briefly my journey of discovery on how to research effectively. I wrote Riduna in a bubble. I delved into books and archives, looked up some (but very little) information on the internet, visited museums and libraries but the majority of my research I carried out on my own. (This may have been a reflection of my state of mind at the time, or just inexperience or lack of confidence)

After several months I poured through my notes and using my research and my initial plan side by side, I formed an outline of the story. After less than a year I was writing the novel, but I came to a standstill every now and then when I realised that I had gaps in my knowledge and understanding. I found myself writing different parts of the book, leaving huge chunks waiting for further research, which often involved a trip down to the Southampton area, back to Alderney or over to Guernsey. In fact I wrote my chapters set in Guernsey at the very end (apart from the final chapter which I always leave til last) when I could plan my trip to over there. (see Researching for Riduna  )

On researching for my new novel, whose name I have finally decided upon and I will share with you shortly, my methods have been so different. Alongside all of the above I have more importantly engaged with people, asked questions, referred to them for advice and started up a dialogue which has become a reward in itself, as I have formed new friendships based on mutual respect. The added bonus to this is in opening up of numerous avenues for the promotion and marketing of the novel once it is published. (Keep positive here) Mind you, I will need to give away many more copies as a gift of thanks and my acknowledgements will be lengthy!

Leave a comment

Filed under Historical Fiction, Marketing your novel, Planning a novel, Research, Writing, Writing a novel