Category Archives: Research

Frivolous Flying Facts No 3 The First Water Closet in 1913

I was amused to read that the first Water Closet, (toilet) on an aeroplane was as far back as 1913. I really don’t like to think about what happened before this time, since records show numerous serious ‘firsts’ preceding this momentous and in my opinion essential advancement in the History of Aviation.   According to The Guinness Book of Air Facts 1977 here are just a few of them:

  • The first woman pilot in 1909.
  • The first man to drop missiles in June 1910. He was dropping dummy guns on the shape of a battleship shown by marker buoys.
  • The first mail carried in flight in August 1910.
  • The first aeroplane to land on a ship in November 1910.

………………………………………………….. There are so many more. Fascinating!

If you have any frivolous facts about flying then please let me know.

My email id dianariduna@yahoo.com

My last frivolous fact in this series is a bit of a funny story, coming up next Monday.

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Filed under Early Flight, Frivolous Flying Facts, Research

Which characters – Who gave you inspiration?

Choosing the right characters for your novel is vital but how do we do it? I have already written about the joys and pitfalls of choosing a name on another blog but where do we begin choosing characters?

I must admit that my characters seem to creep up on me like new aquaintances many of whom, over subsequent months, become well loved friends.

Real or Imaginary

If real people inspire us, and I’m sure most of our heroes and heroines are based on a rainbow of many people we know all rolled into one, then like with familiar settings it makes it easier to:

  • Describe their personalities and looks
  • Imagine realistic conversations
  • Make the thread of our story believable
  • Fix the period and events, giving a web on which to base our tale if we include some real characters in historical fiction

Harriet in Riduna was inspired by my Great Grandmother. I had only met her twice; once when I was about three and I remember seeing an old lady in a rocking chair as I stepped down into a dark old New Forest farmhouse kitchen. On the second occasion she was in a nursing home. I have been told that she was quite a formidable woman and it was not these encounters which inspired me most, but my inquisitive mind as to what she had been like as a girl and how her nature had been moulded by her experience of being banished from the island of her birth.

If we choose real characters there can be disadvantages too:

  • Even if your novel or story is set in the past you are still in danger of upsetting someone, even if you claim that you are writing fiction -‘that didn’t happen.’ ‘He didn’t do that.’
  • In trying to weave real and imaginary characters within a story then ‘pure historians’ may be offended, claiming that we are trying to rewrite history
  • Obviously if your novel is set today or in recent years then even more care needs to be taken in including real people for obvious reasons. The law will be quick to step in if anything you have written is defamatory.

If you choose purely imaginary characters then:

  • You can let your imagination truly take over
  • You can bend their looks, trait and behavioural tendancies to suite the occasion, so long as you describe them well

The most important points to remember about the characters you choose is:

  • To be consistent
  • To keep a careful record of the description of each
  • To have a clear idea of relationships and how they connect with each other
  • To have a clear record of the order of events where each character appears
  • If your novel is many facetted it helps if there is a link through the threads, or that the connection with your main character is clear throughout the novel

The sequel to Riduna, which I hope to have in print shortly, has a mixture of real and imaginary characters, setting my novel in a particular place and time, though the real characters only appear fleetingly to add flavour and realism to historic events.

How do you choose your characters?

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Filed under Historical Fiction, Planning a novel, Research, Writing, Writing a novel

Time off from writing –You’re worth it!

I hope that expression doesn’t irritate you as much as it does me. If so, I’ve lost my audience. If you’re still with me then my follow up from Time Management is the essential need to take a real break.

Writing is an intense experience and we writers are inclined to be a bit obsessive. In the last couple of years several of our breaks have been engineered around my research. We camped on the River Hamble and over Southampton Water near Calshot, both involving friends who were happy to be included. We travelled to Alderney and on to Guernsey. We went to the ‘Meet the Pilots Evening’ at the Shuttleworth Collection and watched their aircraft take off and fly above us. We stayed at a Premier Inn in Southsea and ambled along the coast passing the Palmerstone Forts. We had numerous day trips to Southampton and the surrounding area and visited Hendon too!  

Don’t get me wrong. All of these outings were most enjoyable but it made me aware of the need to get a balance in my life:

  • Keep weekends free – I am fortunate to have two days per week and sometimes during my holidays to focus on my writing and so I try not to work on my current project at weekends.
  • Have a real holiday – I aim take an occasional break when I totally switch off from both work and writing. Going to Cornwall helps. So many writers, both famous and otherwise, have based their novels on the Cornish Coast that I would be extremely foolish to try to follow in their footsteps. I know that the sequel to Rebecca has been written but it’s a risk to carry it off successfully!
  • Be myself in the evening – I have closure in the evening as soon as I start to prepare supper. I begin to switch my brain back to the reality of living, changing my persona from Diana the writer to Diana the home maker.
  • Keep in touch with friends – It’s far too easy to let friendships slide because I can’t find the time. It doesn’t take a lot to pick up the phone from time to time, send a message via Facebook or make the effort to arrange to get together.

Of course there are times when the pressure is on and rules made are rules to be broken – occasionally. What truly amazes me is that it is possible to switch off the flow of creativity like a tap and when I return to turn it back on again, the story carries on just where I left off. Does that happen to you?

 

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Filed under Research, Writing, Writing a novel