Category Archives: Writing

Background to writing

A novel impression – unsung heroes v familiar friends and foes

Have you ever thought of the people who never experience the accolade they deserve for their contribution. Last week we focussed on Steve Jobs, remembering his greatness rather than the technology he created.

When you listen to a wonderful  rendition of Mozart, Bach or Beethoven do you ever think of the individual violinist or percussionist?

When you watch a  drama or documentary on the TV do you ever sing the praises of the director or each bit part actor?

When you visit Wiseley or any other famous garden do you ever think of the person who does the weeding?

An author, on the other hand leads you from general truths and events to minute details of individual lives. A successful writer will know how to draw on the reader’s empathy and involvement until the dividing line between the reader’s reality and that of the fictional characters begins to blur at the edges.  The reader needs to understand intimately all of the key players as the drama unfolds.

When a wonderful piece of music comes to an end you are often left with an impression; an echoing but lasting memory of  the experience, but when you come to the end of an excellent novel,  do you ever feel you’ve just said goodbye to a dear friend or a close family member? Do you sometimes feel at a loss for a day or two; almost bereft?

How do we achieve this as an author? How do we leave our readers looking forward to more?

  • Innate ability?
  • Ever learning more about the craft of writing?
  • Forethought and careful planning?

Probably all three!

Tools a writer uses:

  • Sticking to a successful format that readers become familiar with (Agatha Christie)
  • Using a main character or characters within different story lines
  • Writing a series – sequel, prequel..
  • Using the same setting – location for a several stories
  • Setting several novels in the same time period

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Filed under Planning a novel, Reading a novel, Writing, Writing a novel

There’s a time for every season – Which period to choose?

I’ve never written in the here and now. Always inspired by social history and the classics it was not a surprise that I chose the Victorian Age for Riduna. Writing its sequel in the Edwardian era and through the First World War has been an even more rewarding journey since I have reseached a period in history which I did not cover at school and have always wished to do so.

So how do you choose the time zone for your novel?

Did it just creep up on you?

Did you just happen to stumble on an ancient monument or something which intrigued you….  a newspaper article, tv programme, scene, …… and it set you thinking and on a new path of research?

Are you more comfortable writing in the present?

Have you always loved Sci Fi?

Is it costume dramas/ historical events or people from the past who make you tick?

Are you an expert in a certain period in history?

Most of you will say that’s obvious. We choose a time frame we are familiar with and we enjoy unleashing our imagination in that period, but does it have implications to the way we write?

  • Time taken to complete a novel

If you choose ‘Chic Lit’ or Sci Fi, it is likely that most of the story will flow from your over active brain. You could write a novel in a few months and have it sent to the publishers within six. It could be the next best seller and could certainly earn you a living if it’s good enough. Am I right?

Whereas, if you write in a period in history which is less familiar to you then the time taken to research may be a year or more before you even start to put pen to paper to weave your fiction. Setting, background, language, events, facts; they all have to be checked.

  • Is it a period in history which few have chosen?

Recently several authors have set their work in the time of the Romans. This is particulary pertinent here in England and in much of Europe, where Roman remains abound and it’s not hard to imagine the invaders making their mark say when walking through Verulamium in St Albans or in Northumberland at Hadrian’s Wall. Unless of course you are Italians in which you are also especially proud of your country’s past influence in the world.

Are there any periods in history not covered by authors of the present and past?

  • Is it a period in history well covered?

The World Wars have already inspired copious successful novels and biographies and yet there is always an interest in them and there is certainly always a new angle, or a less familiar story to tell? Maybe this is because the majority of us have a father, grandfather, grandmother or great grandfather who played their part in some way and we are fascinataed by family history. It is still of course in living memory for many and we are approaching the centenary or World War 1. What better time than now to remember?

  • The same but different

This phrase is well used in expressing what a publisher is looking for. Why? Because that’s where the market is. Readers don’t always want to read unusual, obscure books, however well written. They read a novel they enjoy and immediately look for something similar and if there’s nothing more written by that particular author then they will search for other similar authors. It’s a bit like chocolate. Once a Cadburies chocolate lover then other chocolate is fine, but there’s nothing like the treat of even a small bar of Dairy Milk!

  • Is it sustainable?

A publisher, so we’re told, is looking for a book which has potential to grow into a series, whether it’s a sequel or totally different stories, it doesn’t matter. For this reason the choice of time, characters and location all needs carefully thinking through and planning before we start.

Can we afford the luxury of just writing for our own enjoyment and ignoring these issues, or do we need to begin to be less precious and more street wise when gaining inspiration for our novels?

The title of this this blog has a double meaning too, because it also reminds me of one of my favourite songs from the Zombies.

Our novels needs to be memorable too.   

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Filed under Book reading, Historical Fiction, Marketing your novel, Planning a novel, Writing, Writing a novel

Which characters – Who gave you inspiration?

Choosing the right characters for your novel is vital but how do we do it? I have already written about the joys and pitfalls of choosing a name on another blog but where do we begin choosing characters?

I must admit that my characters seem to creep up on me like new aquaintances many of whom, over subsequent months, become well loved friends.

Real or Imaginary

If real people inspire us, and I’m sure most of our heroes and heroines are based on a rainbow of many people we know all rolled into one, then like with familiar settings it makes it easier to:

  • Describe their personalities and looks
  • Imagine realistic conversations
  • Make the thread of our story believable
  • Fix the period and events, giving a web on which to base our tale if we include some real characters in historical fiction

Harriet in Riduna was inspired by my Great Grandmother. I had only met her twice; once when I was about three and I remember seeing an old lady in a rocking chair as I stepped down into a dark old New Forest farmhouse kitchen. On the second occasion she was in a nursing home. I have been told that she was quite a formidable woman and it was not these encounters which inspired me most, but my inquisitive mind as to what she had been like as a girl and how her nature had been moulded by her experience of being banished from the island of her birth.

If we choose real characters there can be disadvantages too:

  • Even if your novel or story is set in the past you are still in danger of upsetting someone, even if you claim that you are writing fiction -‘that didn’t happen.’ ‘He didn’t do that.’
  • In trying to weave real and imaginary characters within a story then ‘pure historians’ may be offended, claiming that we are trying to rewrite history
  • Obviously if your novel is set today or in recent years then even more care needs to be taken in including real people for obvious reasons. The law will be quick to step in if anything you have written is defamatory.

If you choose purely imaginary characters then:

  • You can let your imagination truly take over
  • You can bend their looks, trait and behavioural tendancies to suite the occasion, so long as you describe them well

The most important points to remember about the characters you choose is:

  • To be consistent
  • To keep a careful record of the description of each
  • To have a clear idea of relationships and how they connect with each other
  • To have a clear record of the order of events where each character appears
  • If your novel is many facetted it helps if there is a link through the threads, or that the connection with your main character is clear throughout the novel

The sequel to Riduna, which I hope to have in print shortly, has a mixture of real and imaginary characters, setting my novel in a particular place and time, though the real characters only appear fleetingly to add flavour and realism to historic events.

How do you choose your characters?

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Filed under Historical Fiction, Planning a novel, Research, Writing, Writing a novel